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Bluebook of PianosSteinway & Sons2017 MANUFACTURERS SUGGESTED LIST PRICESPrices are given only for the lowest-priced style of each model. These are Manufacturers Suggested List Prices. This list does not include the many furniture styles and finishes. Any such price list would only cause confusion in the marketplace. Private labels are omitted.
The Steinway & Sons Global Website. Steinway Grands. The Steinway grand is the gold standard of musical instruments, representing over 160 years of dedication to craftsmanship and uncompromised expression.It is for these reasons that over 19 out of 20 concert pianists choose the Steinway grand piano — and why the instrument remains at the heart of cultured homes the world over. Dijual Piano Steinway & Sons Living Room Grand Model O Harga Ok. Kondisi second/bekas, 90% like new-seperti baru. 3 pedal, warna hitam mengkilat. Bonus kursi, pemanas, tutup tuts, tutup tikus. Garansi full termasuk spareparts selama tiga tahun.
To save space, we have also compiled a master list of base models for all brand names. Retail pricing is the responsibility of the dealer.
No two dealers are alike, no two markets are alike and starting retail prices are set by individual dealers. Discount prices will vary from dealer to dealer with local competitive and economic conditions.
Performs on a D-274 in theD-274 (or D) is the model name of a concert, the of the piano company, first built in 1884. It is generally described as the first choice of most concert pianists.At 274 cm (8′11¾″) long, 156 cm (5′1¼″) wide and 480 kg (990 pounds), the D-274 is too large for most domestic situations.
In concert hall settings, on the other hand, the D-274 is a major presence. An example would be the famous, offers contestants a choice of two D-274s owned by the Van Cliburn Foundation, one a mellow-toned instrument made in New York, the other a bright-toned instrument made in Hamburg. These are supplemented with a third Steinway piano brought in for the event.An estimate from 2003 suggested that more than 90 percent of concert grand pianos worldwide are D-274s. Studio photo of taken by the photographerVirtually all critical design elements of the Steinway 'D' were developed during the 19th century.
Among them are the action and string scale designs perfected by Henry Steinway, Jr., the son; the hammers, cast iron frame and laminated wooden rim, all originating in designs patented by C.F. Theodor Steinway, another of the founder's sons; the trapwork (pedals), first devised by Albert Steinway, a third son; and most aspects of the. Since those early years, only two notable improvements have been made: a concentric shaping of the soundboard, a design patented by younger family member Paul Bilhuber, was introduced in 1936; more recently the Steinway action was changed to provide a greater mechanical advantage to the player, resulting in less touch resistance with no loss of power. Early Centennial D-270 built Sept 1877 (constructed case) being erected after transportEven before the German-born family emigrated to the United States, the founder, had built a grand piano in 1836 (the so-called 'kitchen grand'), which today is preserved at the in New York City.
Such grand pianos with a limited of 6 or 6.5 octaves and double produce less volume of sound than a D-type concert grand piano.Concert grand pianos of full size are able to fill a concert hall with sound for 2,000 to 3,000 spectators. This was foreshadowed in the 1860s when grand pianos were given harps or frames of. Initially employed to accommodate the cumulative and extraordinary tension of the strings, thereby protecting the wooden structure from destruction, iron frames quickly facilitated a dramatic increase in string tension.
With increased string tension came increased power and projection.At the 1876 in Philadelphia, Pennsylvania, there were several manufacturer's competitions, including a piano competition. The Steinway company sent two grand pianos displaying their latest developments, demonstrating the firm's innovative and markedly improved piano quality. Their determined pursuit of quality was rewarded at the world exhibition with a gold medal. Steinway won the competition against several established, well-known American piano makers, including and.This Steinway concert grand piano, the direct predecessor of today's Model 'D', has become known as the 'Centennial grand'. It remained in production until 1878, when improvements prompted the Steinways to re-designate their models, replacing numeric designations (Types 1 through 4) with Model letters, i.e., A, B, C and D. These letters still mark the types of Steinway's four largest instruments.This was a time of remarkable advance:.
The open pinblock was discarded in favor of the full frame.Always mindful of production as well as excellence, Steinway realized that covering the pinblock with the plate would save manufacturing costs. Open blocks had necessitated multiple levels (to account for the height difference between the bass and treble bridges), whereas this disparity could be easily compensated for in the full frame casting. Further, the pinblock was no longer visible and as such needed no cosmetic treatment such as an attractive veneer. The capo d'astro bar displaced agraffes in the upper treble sections.While agraffes continue to be used in the bass, tenor and lower treble of modern instruments, earlier pianos also employed them in the upper treble. Age 11, plays a D-274 with the conductor Moshe Lustig and the Gadna in Israel on August 1st, 1953In 1878, Steinway began producing their new small Models 'A' and 'B' with laminated cabinets, creating the modern 'rim' case: Very long, thin (3.5 mm) planks of maple were slathered with hide glue, bent around a form, clamped together and allowed to dry. This process made rim fabrication quicker, and the resultant structure stronger and more stable.
It also was cheaper, requiring fewer man-hours and being less wasteful of hardwoods that need several years of storage and precise. This speedier production method was of great advantage in a time of huge demand for good pianos.In 1880 the two big grand models 'C' and 'D' were changed accordingly. The old 'Henry'-designed (father & son) C grand (formerly named 'Parlor Grand') also got a covered pinblock and a 'rim' (still with 85 keys), and the concert grand Model 'D' which had made a great success on the Centennial Exhibition 1876 in Philadelphia also got a 'rim' case. There are nearly no two identical grands of the 424 Centennial D-270 once built. One will find at nearly every grand tiny modifications. So one can regard the concert grand Centennial D-270 (1875-1884) as a transient model for continuous improvement. Of the known still existing Centennial grands, there is ca.
D-274 that exemplifies the products of Steinway's factory in Hamburg, GermanySteinway manufactures the 'D' in two factories, one in New York and one in Hamburg, Germany. Outwardly, New York and Hamburg 'D's differ most noticeably in finish, with the former displaying traditional satin lacquer and the latter high-gloss polyester. Differences in the respective instruments' tone and playing character, however, have led particular pianists to gravitate to the output of one factory or the other;, for instance, preferred a New York 'D', whereas, and were partial to the Hamburg product. Garrick Ohlsson preferred the brilliance of the Hamburg instrument in his youth, but the warmth of the New York 'D' as he matured. Bought three 'D's, all New York products, for his homes in the United States, but he installed a Hamburg 'D' in his Swiss villa. The difference between the New York and Hamburg Steinway pianos is less noticeable today. Pianist and says that '. the differences have more to do with individual instruments than with where they were made.'
Several artists have developed documented association with particular 'D's. Examples would include the following:. recorded all his sessions for in New York on 'D' SN 147,681 and SN 194,597. When Zenph Studios undertook to recreate those recordings through modern computer playback technology, the company chose a 1909 'D', SN 133,291, as the underlying instrument; the restored piano is prominently featured at the company's Internet site. favored a 'D' that he called 'Beauty.' When the instrument became unserviceably worn, he retained piano technician to rebuild it completely. maintained a well-known preference for CD (Concert 'D') number 318-C (SN 317,194) that he found, much worn and awaiting shipment back to the factory for decommissioning, in the auditorium of a Toronto department store in early 1960's.
He retained technician Verne Edquist to restore and maintain the instrument and had it shipped to any auditorium in which he was to play. The piano sustained a cracked plate during such a shipment in 1971, when Gould had scheduled a recording session with the Cleveland orchestra; for years thereafter, Edquist attempted to repair the damage, and his inability to do so was a source of distress to Gould. The CD 318-C still exists in its damaged state, preserved at in Ottawa, which also houses the Glenn Gould Archive. To circumvent company policy that would have compelled her to record on a smaller instrument, purchased a 'D' on which to make her recordings for Victor late in the acoustic era. Later, finding the size of the instrument to present storage difficulties, she purchased a dwelling in Seal Harbor, Maine, with a studio large enough to house it.Special editions and price record.
The specially designed D-274 Steinway Alma Tadema, which is the world's most expensive grand piano sold at auctionOver the years, Steinway has produced a small number of special or limited editions of the D-274. The differences in these pianos can range from ornately carved bodywork to large changes in the colour scheme. Custom-built D-274s have also been made; for example the 'fully crystallized' D-274s with over a million individually positioned covering each piano.The has a specially designed D-274, which is normally placed in the largest room of the White House, the. The 2002 White House Christmas card features this piano.The world's most expensive grand piano sold at auction is a specially designed D-274 named Steinway Alma Tadema; it sold for 1.2 million in 1997 at in London, breaking Steinway's own 1997 price record of $390,000. The D-274 was built in 1883-87 and designed by Sir.
It is displayed at the art museum. In 2006, Steinway recreated an exacting replica of this piano. Recordings The D-274 has featured in numerous recordings spanning a wide array of genres and the whole of the history of sound recording. The following list includes some relatively recent examples in a variety of mostly advanced formats, including, and; one test disc; and a celebrated fraud:. –: (Hamburg Steinway D-274; with, cond.);: Etudes (New York Steinway D-274). Telarc 60582.
Piano Duo Trenkner/Speidel – (arr. (Four-hands arrangements performed on a 1901 Steinway D-274) MD&G 330 0635-2. –:.
Turtle Records hybrid SACDs TRSA 0029 (books I and II) and TR75530 (books III and IV). Rachmaninoff Plays Rachmaninoff. 748971 (Recreations by Zenph Studios of performances by Sergei Rachmaninoff drawn from earlier conventional records; the company's Internet site prominently features the instrument used, a 1909 Steinway D-274, no. 133,201, retrofitted with a computerized self-playing mechanism). Antoine Rebstein – Piano Left Hand Recital.
Claves 50-2502 (Compositions for left hand alone by J.S. Bach arr., and arr., recorded on Steinway D 479 580). – A Gypsy Life (piano performances by ). 83053 (video and ). Marcel Worms – Red White & Blues: 32 New Dutch Blues Pieces (1996-2006) (all tracks feature the Hamburg Steinway D-274), Attacca Records 27103-4. Gary Girouard – The Naked Piano volumes I-III, Galileo Music Corporation.
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Robert Silverman – Johannes Brahms: Intermezzo in E-Flat major, op. 1; Mozart: Minuet in G (both on a New York Steinway D-274). Tracks 11 and 12 of Test CD 2.
– Recordings issued under her name on the label were said to be recorded on a 1923 Hamburg Steinway D, Serial No 217355, but in fact were unauthorized dubs of recordings by other pianists.The D-274 has also featured in many television programs, including:. The on February 7, 2010, was opened with a with a performance by, and the Rutgers Symphony Orchestra. The D-274, which is heard and seen especially in the beginning of the music video, was supplied from the Concert & Artist division of Steinway, located at on Manhattan, New York City. In the for on December 10, 2009, performed on a D-274 by. The ceremony for on January 20, 2009, featured a performance of 's composition by cellist, violinist, pianist and clarinetist. Gabriela Montero played on a D-274.
On on November 17, 2008, seven-year-old played on a D-274 her own composition called Once Upon A Wish dedicated for 's and 's wedding. In 's on October 18, 2007, played a D-274. In a nationally aired in Fall 2007, uses its status as an to promote itself. The commercial shows a D-274. In an nominated for produced by Gerard De Thame in 2001, a new modern is shown. This new Noah's Ark has been loaded with two of different sorts of animals, but also with from the world of today. One of these luxury products is a D-274 filmed from an angle so that the Steinway logo is clearly seen.Concert grand piano banks For the convenience of touring performers and in the belief that every D-274 is somewhat different in character, Steinway maintains a collection of D-274s in 'concert grand piano banks' across the world; for instance, the company maintains more than 40 in the basement of in Manhattan.
Such pianos are given 'CD' designators, and they receive replacement stencils calculated for greater visibility at a distance. A pianist visiting one of these banks may sample and choose from a range of D-274s, according to taste, for public performance or recording; Steinway prepares and transports the chosen instrument, although the artist bears the cost of these services. As noted above, some artists have developed affinities for particular instruments included in this program; the requirement that instruments so supplied be credited to Steinway led to Olga Samaroff's above-mentioned purchase of a D-274 on which to make records. Popular accounts of manufacture At least three independent accounts have detailed the process by which Steinway manufactures the D-274. In 1982, Michael Lenehan published an article in in which he followed the construction of a D-274, designated as K 2571 during manufacture and later, after its adoption into the piano bank program, as CD-129.
A somewhat revised version of the article posted to the Internet includes information updated in 1997. The original article, dating to approximately the time of the company's sale to CBS, described many practices held over from the 19th century, mostly personalized by focusing on individual employees tasked with performing them, but it also touched on what then were prospective changes under consideration to modernize certain aspects of production. The 1997 update continues that approach, updating the various personal stories but also detailing the company's subsequent ownership history and adoption of selected new production methods.More recently, ran a series of articles, ultimately published in book form, following the construction of a D-274 designated K 0862.
More recently still, an independent entitled followed the construction of a D-274 for more than a year, from the search for wood in Alaska to display of the finished instrument at Manhattan's. The film received its first theatrical screening at New York's Film Forum in November, 2007 and played to generally favorable notices. Featured are discussions and demonstrations of Steinway instruments generally, and the D-274 in particular, by Steinway family member and pianists,. See also.References. ^ Fine, Larry, The Piano Book: Buying & Owning a New or Used Piano, Third Edition, Boston: Brookside Press 1994., Bluebook of Pianos. Accessed March 12, 2010.
Katie Hafner: A Romance on Three Legs: Glenn Gould's Obsessive Quest for the Perfect Piano, Bloomsbury Publishing USA: New York, 2008, and. 2010-02-09 at the, Steinway & Sons Official Website, Accessed March 12, 2010. Archived from on January 13, 2010. Retrieved March 20, 2010.
2011-07-13 at the, STEP Inside Design, issue of November/December 2003, p. 68. , Report of 5. April, 2010, by. ^.
^ Ronald V. Ratcliffe: Steinway. Chronicle Books, San Francisco (USA) 1989,. Private investigations, author of this information is hunting Centennial D information since 2010. James Barron: Piano - The Making of a Steinway Concert Grand. Times Books, New York 2006,. Susan Goldenberg: Steinway - From Glory to Controversy - The Family - The Business - The Piano.
Mosaic Press, Oakville (Ontario, CDN) 1996,. November 6, 2009, at the.
^, The New York Times, August 27, 2003. Accessed March 25, 2010.
^. ^ Samaroff-Stokowski, Olga, An American Musician's Story, New York: W.W. Norton and Co., Inc., 1939. E.g.: 2010-01-04 at the, Steinway & Sons Official Website. Accessed March 12, 2010. E.g.: 2010-03-29 at the, Steinway & Sons Official Website. Accessed March 12, 2010.
E.g.: 2010-03-01 at the, Steinway & Sons Official Website. Accessed March 12, 2010. E.g.:, Tallahassee Antique Car Museum.
Accessed March 13, 2010., CrystalRoc Official Website. Accessed December 1, 2010. 2010-11-30 at the, Luxury-Insider.com Official Website. Accessed December 1, 2010. 2014-03-06 at the, The White House Historical Association. Accessed March 18, 2010., The New York Times.
Accessed March 18, 2010. Steinway & Sons – 150 Years, p. 65., The New York Times. Accessed March 18, 2010.,.
Accessed March 18, 2010. Article: 'Hallmark Designs 2002 Presidential Holiday Card', PR Newswire, December 6, 2002. See a part of the article here:. Prettejohn, Elizabeth (March 1, 2002). The Art Bulletin. 84 (1): 115–129.: (inactive 2019-08-19).
^ 2014-01-30 at the, Steinway & Sons Website. Accessed April 5, 2011. Eight Keys to Buying a Piano – A guide to selecting the perfect instrument, p.
10. 2010-05-27 at the, Clark Art Institute. Accessed March 14, 2010.; Lozier indicates that the recording venues' acoustics obscure distinctions between the instruments. Specified in booklet accompanying the album., accessed August 5, 2010., accessed August 5, 2010., accessed August 8, 2010., accessed August 5, 2010., accessed August 5, 2010., accessed August 5, 2010., accessed August 5, 2010., accessed August 5, 2010., YouTube.
Accessed January 14, 2011., YouTube. Accessed January 14, 2011., YouTube.
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Accessed January 14, 2011. ^ Steinway & Sons – 150 Years, p. 32. ^. Barron, James, Piano: The Making of a Steinway Concert Grand, New York: Times Books, 2006 ( )., Film Forum. Accessed March 13, 2010.,.
Accessed March 13, 2010.,. Accessed February 15, 2008., IMDb.com. Accessed March 12, 2010., The New York Times.
Accessed March 12, 2010.Further reading. Barron, James (2006). New York: Holt. Chapin, Miles (1997). New York: Potter. Matthias, Max (2006).
Steinway Service Manual: Guide to the care and maintenance of a Steinway (3rd ed.). Bergkirchen, Germany: PPV-Medien/Bochinsky.External links.